The Ancient Rites: Nyekar


 

Sometimes the dead don’t stay buried. Not in the way that matters.

I’ve seen it myself in the small towns across America—those forgotten places where old men gather at diners with cracked vinyl seats and coffee that tastes like it was brewed in 1986. But what I’m about to tell you isn’t about Estes Park or St. Francisville. This is about something older, something that crawls through the soil of Indonesia, where the living and dead maintain a relationship that would make most folks in the American Frontier cross themselves and look away.

They call it Nyekar.

(That’s “Nye-kar,” if you’re wondering how to pronounce it, though if you say it wrong, the locals will smile politely and correct you while their eyes tell you that you’re still an outsider, still someone who doesn’t get it.)

The tradition is as simple as it is profound—visiting graves, cleaning them up nice, saying prayers for the departed, and scattering flowers across the final resting place of those who’ve gone before. Sounds innocent enough, doesn’t it? Maybe even beautiful. But beneath that peaceful veneer lies something ancient and powerful that reaches back through centuries, back before Muslims brought their faith to those islands, back to a time when gods were numerous and hungry.

I learned about it from an old man in Jakarta, his face a roadmap of wrinkles that told stories his mouth never would. He lit a cigarette with hands that trembled just slightly—not from age, I think, but from the weight of remembering.

“Before Ramadan, we go,” he told me, smoke curling from his nostrils. “After Eid prayers, we go again. Before weddings, before a son’s circumcision.” He looked at me, making sure I understood the gravity of what he was saying. “We never forget them. And they never forget us.”

The word itself—Nyekar—comes from the Javanese “sekar,” meaning flower. But this isn’t some pleasant garden party. This is about maintaining connections with those who’ve crossed over to whatever waits on the other side.

You might be thinking this sounds like Mexico’s Day of the Dead or similar traditions, but you’d be wrong. Dead wrong. There’s something uniquely potent about Nyekar, something that got under my skin the first time I witnessed it in a small cemetery outside Yogyakarta, where the air hung heavy with the scent of jasmine, frangipani, and incense.

* * *

The Prophet Muhammad—peace be upon him, as the faithful say—initially forbade his followers from visiting graves. That’s a fact that seems important somehow, like the first warning in a horror movie that nobody heeds. He was worried about his newly converted flock falling back into old ways, into the trap of polytheism, of associating partners with Allah.

But later, as their faith grew stronger, he changed his mind. “I used to forbid you from visiting graves,” he said, “but now visit them.”

Why the change of heart? Because graves remind you of death. Of your own mortality. Of the hereafter.

I’ve thought about that a lot—how something forbidden can become permitted, even encouraged. How thin the line is between reverence and something darker. Something hungrier.

In Java, the tradition took root and flourished under the Wali Sanga—the nine saints who spread Islam across the island, blending it with existing beliefs like food coloring in water until you couldn’t tell where one ended and the other began.

The Javanese already had Sraddha—an ancient Hindu ceremony to honor the dead. The saints didn’t stamp it out. They transformed it, baptized it in monotheism while preserving its beating heart.

Clever.

* * *

I visited a grave site in Bekasi once—the Batok Sacred Grave, they called it. Discovered around 1636 during the Dutch colonial period. The locals spoke of it in hushed tones, about the power of the man buried there—a religious figure who fought against the Dutch.

People still come seeking blessings, whispering requests to bones that have long since turned to dust.

“Does it work?” I asked my guide, a twenty-something guy named Arif with keen eyes and a smartphone that kept buzzing in his pocket.

He shrugged, but his eyes betrayed him. They always do.

“Sometimes,” he said finally. “When you believe enough.”

That’s the thing about belief, isn’t it? It has power. Real power. The kind that lingers long after the believers themselves have turned to dust and bone.

The flowers they scatter—jasmine, frangipani, roses, ylang-ylang—they’re not just pretty decorations. They’re messengers. Offerings. Keys to a lock most of us pretend doesn’t exist.

Some Islamic scholars point to a hadith—a saying of the Prophet—where Muhammad planted wet palm branches on graves to ease the punishment of the deceased. Sheikh As-Syarbini explains that these branches can be replaced with flowers or fresh plants.

That’s the official explanation, anyway. The one that makes everyone comfortable, that lets them sleep at night without wondering what’s really happening when those flower petals touch the soil above a grave.

But I’ve been there at dusk when the shadows grow long and the boundary between worlds thins like worn fabric. I’ve seen old women with backs bent from decades of hard work place their offerings with trembling hands and whisper words that sound more ancient than any formal prayer.

They’re not just honoring the dead.

They’re negotiating with them.

* * *

The fusion of pre-Islamic beliefs with Islamic practices has produced something unique in Indonesia—a tradition with layers like geological strata, each telling a different story about the people who lived and died on those islands.

King Hayam Wuruk attended a family Nyekar ceremony in Kalayu Village back in 1359 AD. It’s right there in the Negarakertagama, Pupuh 31:

“Kalayu is the name of a perdikan kasogatan village, the site of the temple tomb of the king’s relatives. The Nyekar at the tomb was performed with great respect.”

Almost seven hundred years ago. Think about that. While Europe was still in the grips of the Black Death, Javanese royalty were already performing these rituals, already maintaining that connection between the worlds of the living and the dead.

Seven hundred years of flowers scattered on graves. Seven hundred years of prayers whispered into the earth. Seven hundred years of remembering.

That’s the kind of power that doesn’t just fade away. It builds. It accumulates. Like radiation, like compound interest.

Like dread.

* * *

Today, Nyekar remains deeply embedded in Indonesian Muslim society. Isfiana Oktaria Nasihatul Umami—try saying that five times fast—wrote in some academic journal that it helps maintain social relationships, strengthens cultural identity, and preserves ancestral heritage.

All true, I’m sure. But there’s more to it than that. There always is.

The practice demonstrates the success of cultural adaptation, where the core principles of Islam merge with local customs. It’s a testament to human ingenuity, to our ability to find compromises between the old and the new, between what we’re told to believe and what we can’t help but feel in our bones.

But sometimes, late at night when the world grows quiet and my thoughts turn to those flower-strewn graves half a world away, I wonder who really adapted to whom. I wonder about those wet palm branches the Prophet placed on graves to ease suffering, about the flowers that replaced them, about the whispered requests and the answers that sometimes come.

I wonder what happens in the soil beneath those scattered petals, in that liminal space where worlds touch and boundaries blur.

And I wonder if, perhaps, the dead are not simply being remembered.

Maybe they’re being fed.

(You know what I mean, constant reader. You know exactly what I mean.)

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