In the rich tapestry of Sundanese culture, few songs have
resonated as profoundly as “Es Lilin.” This once-popular tune, often attributed
to the legendary singer Nji Moersih, has transcended generations, becoming a
symbol of nostalgia and cultural identity. But how did “Es Lilin” rise to fame,
and what factors contributed to its lasting influence? Tracing its history
reveals a captivating journey through time.
The earliest documented mention of “Es Lilin” can be found
in the Sipatahoenan newspaper, dated September 27, 1937. The article
highlighted a vibrant performance featuring the song, suggesting it was already
a staple in the repertoire of wayang golek shows, a traditional puppet theatre
form. This performance was met with enthusiastic applause, indicating that “Es
Lilin” had quickly captured the hearts of its audience.
Just a few weeks later, on October 2, 1937, Sipatahoenan
further cemented the song’s popularity, noting how people were humming and
whistling it in everyday life. The phrase “people are singing ‘Es Lilin’ while
waiting at the door for their loved ones to arrive” illustrates the song’s role
in fostering connections and evoking emotions among listeners.
By 1938, “Es Lilin” had become a sensation, even inspiring
singing competitions. Reports from the Berita Priangan on April 29,
1938, highlighted an upcoming contest dedicated to the song, showcasing its
widespread appeal. Advertisements for gramophone records featuring “Es Lilin”
by Nji Moersih and others further spread its popularity.
The song’s impact was so profound that children would often
sing it while herding buffalo or farming, illustrating its integration into
daily life. A Sipatahoenan article from May 31, 1939, captured this
phenomenon, with the writer noting, “the children of the buffalo herders often
sing the song ‘Es Lilin’.” This highlights how deeply ingrained the song was in
Sundanese culture.
As Indonesia gained independence, “Es Lilin” experienced a
renaissance in the 1960s. Sjaiful Nawas’s article in Selecta in 1961
praised a new arrangement of the song performed by Bing Slamet, who brought a
fresh style to this classic. The revival of “Es Lilin” during this period
demonstrated the song’s adaptability and its ability to resonate with new
generations.
The origins of “Es Lilin” as a drink, which became popular
in Indonesia during the late 1920s, provide an intriguing backdrop for the song’s
rise. Reports from the time indicate that the drink, initially developed by the
Japanese, became associated with social gatherings and celebrations, further
solidifying its place in the cultural landscape.
Today, “Es Lilin” stands as a testament to the enduring
power of music to connect people across time and culture. From its humble
beginnings in wayang golek performances to its status as a beloved classic, the
song encapsulates the spirit of the Sundanese people. As modern listeners
rediscover “Es Lilin,” its melodies continue to evoke memories and foster a
sense of belonging, ensuring that this cultural icon remains alive in the
hearts of many.
Through the lens of history, “Es Lilin” exemplifies the
resilience of cultural expressions, reminding us that music has the profound
ability to transcend generations and weave together the narratives of a
community. Whether hummed by children in the fields or sung in competition, “Es
Lilin” endures as a cherished part of Sundanese heritage.
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