In the quiet, mist-laden mountains of Cisarua, Bogor, a man
lay bedridden, his body frail from a relentless battle with lung disease. Yet,
amid his suffering, Aoh Karta Hadimadja found solace and inspiration, penning
verses that would later become some of Indonesia’s most revered literary works.
This was not just a story of illness, but of a man who discovered the depths of
his soul through the rhythms of nature and the pursuit of art.
Born on September 15, 1911, in Bandung, Aoh Karta Hadimadja
was the only child of a nobleman, Karta Hadimadja. Though he was afforded the
privilege of education, Aoh’s path was anything but straightforward. After
receiving a diploma from the Meer Uit Gebried Lager Onderwijs (MULO), his
father wished for him to attend Pangreh Praja School to prepare for a future as
a native leader. However, Aoh’s heart was not in administration. Instead, he
ventured into the world, studying briefly at Nederlands Indische Artesen School
(NIAS) in Surabaya before leaving to work odd jobs.
By 1936, Aoh found himself employed at a Dutch-owned rubber
plantation in Parakan Salak, Sukabumi. Though he held a senior position, his
status as the only native in authority among predominantly white employees
weighed heavily on him. The harsh treatment he endured led to immense stress,
and in 1939, his health collapsed, forcing him into a long convalescence at the
Cisarua Sanatorium.
While bedridden at the sanatorium, Aoh began to immerse
himself in religious studies and literature. The works of Hamka, a prominent
Indonesian scholar, and novelist, deeply influenced him. It was during this
period of isolation and reflection that Aoh penned some of his most profound
poems, including Under the Feet of Your Greatness, a verse inspired by his
suffering and introspection.
Surrounded by the serene beauty of the Cisarua mountains,
Aoh developed a deep connection with nature. The towering pine trees, the
gentle mountain breeze, and the sounds of flowing rivers became metaphors for
the human experience. His poem, Kehilangan Mestika (Losing the Gem),
published in 1948 by Balai Pustaka, captures this sentiment beautifully:
Wind blows gently, cooling the soul
A wanderer in deep thought
Contemplating the water
Playful under the rays
Only a star
Twinkling brightly
Fixed in the sky
Alone
My heart, my heart
Have you not yet cooled by the breeze,
Or like the star, though solitary,
Still shining brightly,
Guiding sailors on the ocean?
For Aoh, nature was not just a backdrop; it was a living
entity with a soul, a constant companion in his journey through life’s
challenges.
Aoh’s love for the natural world was evident in his works,
such as Manusia dan Tanahnya (Man and His Land), where he explored the deep
connection between humans and their environment. He portrayed the land as a
source of life and identity, emphasizing the importance of preserving one’s
cultural roots.
Aoh’s journey as a writer took him across Indonesia and
beyond. After his recovery, he moved to Jakarta, where he became a secretary
and translator of classical Sundanese literature during the Japanese
occupation. His involvement with the literary group Pujangga Baru further honed
his skills, leading to greater recognition of his work.
In the 1950s, Aoh traveled to the Netherlands and later to
London, where he worked as a broadcaster for the British Broadcasting
Corporation (BBC). Despite his responsibilities, he continued to write,
contributing essays and poems to various Indonesian literary magazines. His
experiences abroad only deepened his appreciation for his homeland’s natural
beauty, which he eloquently expressed in his writings.
In the 1970s, Aoh returned to Indonesia, where he served as
an editor at Pustaka Jaya and produced some of his best works, including Manusia
dan Tanahnya (1972) and Seni, Seniman dan Kesepian (1974). His final
publication, Seri Himpunan Sajak (1985), solidified his place as one of
Indonesia’s most respected poets.
Aoh Karta Hadimadja passed away on December 17, 1986, after
a long battle with lung disease. He was laid to rest in the Sirnaraga Cemetery,
Bandung, leaving behind a legacy of resilience, love for nature, and literary
brilliance. His life and works continue to inspire, reminding us of the
profound connection between humanity and the natural world, and the enduring
power of art in the face of adversity.
Comments
Post a Comment